Bemuso
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Music biz
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Music DIY
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Articles
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links to every page and heading
Bemuso
About Bemuso
What is Bemuso?
What isn’t Bemuso?
What is Bemuso for?
Site independence
Your privacy
Quoting and linking
Copyright
Contact Bemuso
Bug reports
Email address
How to use the site
Quick start
Finding stuff
Menus and pages
Autobiography
What’s new
What’s new 2007
What’s new 2006
What’s new 2005
What’s new 2004
What’s new 2003
What’s new 2002
Sitemap (this page)
Music biz
Royalties and licenses
How musicians and writers earn royalties
Live music income and rights
Recorded music income and rights
Where music royalties come from
How music royalties work
Some other music licenses
Other blanket licenses
Joint online license
Library music license
Sampled music license
Ringtone license
Digital DJ license
Dubbing license
Blank media and file player levies
Some one-off licenses
Master use license
Sync license
Grand Rights license
Buy-out license
Who buys music licenses?
Commercial licensees and royalty payments
Some PPL and PRS performance licenses
Collection Societies
Collecting music royalties
Royalty collection societies
Royalty collection facts and figures
Collecting royalties for copying recordings
Collecting royalties for public performances
Performing rights organisations
Performing a self-written set
Black box royalties
Performance royalty calculations
Joining a royalty collection society
Notifying royalty collection societies
Do I need to join a collection society?
Reasons not to join a collection society
Collection societies in the rest of the world
Labels and publishers
Record labels and music publishers
Record labels
Licensing recordings for release
The majors and indies
The major record labels
Independent record labels
Record labels and other bodies
Music publishers
Different kinds of music publishers
Music publishers and other bodies
Music copyright
What does copyright mean?
What can be copyright?
How is something copyright?
Protecting your copyright
How long does copyright last?
What format is the copyright master?
Can chords and beats be copyright?
Are arrangements copyright?
Does copyright apply to everybody?
A note about changes to copyright
Assignment of copyright
International copyright agreements
Copyleft and Creative Commons
Public domain
CDs
CDs
Types of CD
Recordable CDs
Identifying CD types
CD speeds
Copy-protected CD-DAs
Unbranded recordable CDs
The Red Book standard
Future disc standards
Digital distribution
What is digital distribution?
Digital content distribution
Digital music warehouses
Independent aggregators
Digital jukeboxes
Kiosks
Digital radio (DAB)
Satellite radio
Satellite, cable and terrestrial TV
Internet radio
Music discovery programming
Podcasting
Peer-to-peer (P2P) networks
Peer-to-peer (P2P) poisoning
Online music distribution
Illegal download sites
Artist download sites
Community download sites
Buying music online
Online music retail
Media centre cable services
Download sales charts
Digital rights management
Watermarks and fingerprints
Business
The music business
Earning royalties
Paying group members
Paying other recording contributors
Trading status
Different kinds of companies
Tax relief
Government links
Grants and funding schemes
Music business accountant
Getting bar-codes
PO Box
Protecting a band name or other names
Music organisations
British Academy of Composers and Songwriters
Association of Independent Music
Musicians’ Union
Music Managers Forum
Online payment
Selling by mail order online
Online payment services
Credit card payment gateways
Dedicated seller accounts
Some questions for payment services
Web sites
Web site options
Internet services
About search engines
Directories
Indexes
What search engines want
Internet links
Search engines
Names, hosting and forums
Internet tools
Internet information
Glossary and index
Music biz FAQ
Music organisations
UK professional bodies
USA, EU and world organisations
Music biz books
How the music business works
How the USA music biz works
Music business stories
Music biz articles
Download sites
Short history of download retail
Download retailers
Independent labels
Independent labels
Independent artists
Independent communities
Music DIY
Getting started
Getting started
Selling CDs and downloads
Getting your music online
Earning royalties
Music copyright
Protecting your work
Publishing and distribution
New music media
Legal, tax and trading
Signing contracts
Clubs, guilds and associations
Things to do
DIY and indie
Making records and publishing songs
How much does it cost to make a record?
Different kinds of record labels
What’s the difference between majors and indies?
Big music and small music
Independent record labels
What does independence mean?
The advantages of an independent label
How big is the independent sector?
DIY record label choices
What does DIY mean?
Some music business options
Opting out of the music business
DIY checklist
The main steps
Preparing for business
Sorting out your names
Joining professional bodies
Do you need any legal stuff?
Do you need any contracts?
Keeping accounts
Paying tax
Running your online label
Setting up a web site
Making and releasing a CD
Mail order
The main ways to sell your music
CD sales online
CD sales offline
The main ways to take payment
Promotion
CD costs
CD mail order costs
Digipak mail order
Standard jewel case mail order
CDs, post and packing
CD total cost breakdown
An example of high street CD costs
Download costs
CD release
Duplication
Mastering
Choosing a CD duplication format
Choosing a CD duplicator
Burning CD-Rs
Pressing CDs
A CD package
CD cases
CD body art-work
CD booklets and inserts
CD information checklist
CD release paperwork
MCPS paperwork
ISRCs for tracks
Bar-codes for CDs
List of identification codes
Notifying collection societies
Download formats
More open download formats
Less open download formats
Copying compressed files
Concatenation loss
Format convertors
Uploading your downloads
Music download file sizes
MP3 web server space
Downloading or streaming?
Online releases
Packaging and paperwork
Getting your tracks onto the Internet
Download sites and aggregators
Songwriting
Songwriting
What’s the formula for a song?
What is a great song?
Writing a song
Originality
Writer’s block
Some songs don’t work out
Creativity techniques
Collaborating on a song
Reference books for writing lyrics
Recording a song
1. Write the song
2. Do a demo mix
3. Do an arrangement
4. Retake/remake
5. Stop
The end result
Why do you write songs?
A strategy for songwriting
Using a music publisher
Songwriting guilds and associations
Recording
Recording
General studio approach
Basic recording equipment
Good headphones
Good microphone
Effects unit
Multi-track recorder
Guitar tuner and pre-amp
Instruments
Soundproofing
Soundproof hard disc recorder box
Recording and mixing
Audio compression, EQ and reverb
From multi-track to master
The main steps to CD and MP3
Audio input to computer
USB audio problems
Computer audio tools
Tidying finished stereo tracks
Burning CD-R masters
Studio notes
Your web site
Web site running costs
Basic web site costs
Extra web site costs
Making this web site
Web pages
File utilities
Audio tools
Web site name scams
ISPs, registrars, hosts and gateways
Web site building tools
Web host space requirements
HTML and different browsers
Web site complexity
Forms, counters, databases, etc.
Some special files
index or default
robots.txt
favicon.ico
stylesheet.css
Can anyone build a web site?
Search engines
Getting visitors
Web site design
Web site links
Web site statistics
Search engines
Search-friendly HTML
Meta name tags
Submitting this web site
Free search engines I used
Search engines I didn’t use
Web site submission lead time
Summary of web site publicity
Not on Bemuso
Computers and audio
Contracts, forms and boilerplate
Complete trade directory
Content, style and genre
Performance technique
How to do your promotion
DIY music books
Songwriting
Recording
Web sites
Music web zines
DIY record labels
Download sites
DIY artist downloads
Cascade file sharing or super-distribution
Ogg, FLAC and others
Creative Commons and copyleft
Articles
The money sponge
Changes
One for you, nineteen for me
It’s the business, stupid
Chiselling points
The music industry is not the world
Where are the songs?
Making the Internet work
Record industry cost and quality
Footnotes
1.
Major record company profits are thin
2.
Big record label operating costs are 95%
3.
Four out of five acts signed by big labels fail
4.
Most records are bought by the over-thirties
5.
The royalty system rewards the big players
Do it yourself
Be a record label and music publisher
Getting specialist help
How to get started
The damage done
What’s up?
What are artist’s rights?
Who benefits from artist’s rights?
How does it affect independent artists?
How does it affect the public?
The future
Get signed, get singed
What is a record label?
What does a record label offer?
Where does the money go?
How do I get signed?
Getting signed
What getting signed means
Management
Contract jargon
Exclusivity
The Territory
The Term
Copyrights
Publishing
Recordings
Package deals
Promotion
Checking promotion claims
Popular delusions
My stuff is better than everything in the charts
I’m better than everyone on Top Of The Pops
Let’s bring back the diversity and quality of Sixties music
Everyone who matters in the music biz works for a big label
Music is the record industry
All record labels are the same
Artist managers are the disreputable spawn of Satan
Somebody else will take care of business
Good music sells itself
The web music revolution changes all the rules
The web music revolution will kill the corporate dinosaurs
The Beatles business
Why The Beatles?
Beatles books
Recommended Beatles books
Beatles biographies
Beatles music, recording and events
Further Beatles reading
Beatles music business
The Beatles main companies
Northern Songs, NEMS and Apple Corps
The Beatles timeline
Recordings, releases and key events in order
Recording and chronology notes
The table layout
The tracks and releases
Pete Best
Songs in recording session order
Albums, EPs, singles and films in release order
Does A&R work?
Music piracy ahoy!
Ani di Franco open letter
Bemuso
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Rob Cumberland
2002 – 2010, all rights reserved
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